Essay on John Singletons Boyz in the Hood - 1263 Words

Boyz in the Hood is a statement of how urban youth have been passed a legacy of tragic indifference, and the writer has shown that it is an almost inescapable fate for those born into racism and poverty to repeat the patterns they wish to escape. The movie’s characters are clear representations of how the system fails young black youth in the United States, and the difference one mentor can make for these kids. During segregation young black children became targets for white brutality. This movie reflects what the European mentality and what it has done to the African American culture. Chris and Doughboy, two brothers in gangs, live with a single mother. Chris is headed for an athletic scholarship and there is hope he will escape gang†¦show more content†¦I the article Race the Power of an Illusion, Dalton Conley says, â€Å"the Civil Rights movement of the 1960s really marks both an opportunity and a new danger in terms of racial relations in America. On the one hand, the Civil Rights era officially ended inequality of opportunity. It officially ended de jure legal inequality, so it was no longer legal for employers, for landlords, or for any public institution or accommodations to discriminate based on race. At the same time, those civil rights triumphs did nothing to address the underlying economic and social inequalities that had already been in place because of hundreds of years of inequality.† (Conley pp 1). What goes on in the American ghetto is not as glamorous as Hollywood makes it out to be now, this film does a great job at depicting wha t life in the ghetto for black teens is really like. The ghettos in America are full of broken culture that is left behind from centuries of oppression by the white man. Most teens like those in the movie never make it out of their neighborhoods alive. Thousands of kids die every years from gang on gang violence, damaging all chances of them escaping the ghetto and making something of themselves. Death, gangs, and drugs is the more common way that young people are left with to deal with a life of poverty and survival that seems to have no escape. Ricky seems to be a contender for a scholarship and it is assumed he will go to college and getShow MoreRelatedAnalysis of John Singletons Film Boyz N the Hood Essay696 Words   |  3 PagesAnalysis of John Singletons Film Boyz N the Hood The director and screenwriter of the Boyz N the Hood. John Daniel Singleton. The 34 year director, who was born January 6, 1968, in Los Angeles, CA. This black African-American director who won several awards as a screenwriting students at USC. Singletons assured a directorial debut, Boyz N the Hood. An urgent, powerful coming-of-age tale, the film found a spark of hope amid its bleak, violence-ridden south centralRead MoreBoyz N The Hood Analysis1650 Words   |  7 Pages Boyz N the Hood YANSHUN QIU 0147562 Criminology 101 2017 Geri E. Bemister Boyz N the Hood (1991) tells the story of three young African-American boys, Trey, Ricky and Doughboy, growing up in a lower-class neighborhood in South Central Los Angeles. The movie is based off the life o a young black man living with his mom and moving to Watts, California to live with his dad. The movie brings friendship, parenthood, violence, and revenge into one concept of how parts of the country areRead MoreThe Boyz N The Hood Based On Criminology Concept Of The General Strain Theory1622 Words   |  7 PagesIntroduction In this paper, I will analysis the film Boyz N the Hood based on and around the criminology concept of the General Strain Theory. 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In John Singleton’s powerful drama Boyz N the Hood the harsh reality of youths growing up in South Central Los Angeles, a place where drive-by shootings and unemployment are rampant, is brought to life. Shot entirely on location in South Central LA, Boyz N the Hood presents its story with maximum honesty and realism. The movie is a prime example of how American ghettos are dead endRead More Blacks In Film Essay1169 Words   |  5 Pagesearly nineties a series of movies in the wake of John Singletons Boyz In The Hood, despite their good intentions, started to provide a new and volatile formula in black films that studio executives wasted no time in exploiting. Dubbed quot;Gangsploitationquot; they were the blaxploitation films of the nineties. Black men were portrayed as quot;gang bangersquot; and black women as quot;welfare queens.quot; Probably the most successful post Boyz movie was Albert and Allen Hughes Menace II SocietyRead MoreEssay on Taking a Look at African-American Cinema1543 Words   |  7 PagesTownsend and Spike Lee. These directors helped enable black cinema to expand in the 90s with the creation of works ranging in brutal but honest portrayal of urban life to that of comedy. By analyzing Spike Lees film Bamboozled, director John Singletons Boyz in The Hood, and movies like Coming to America and House Party indicate that the experiences of African Americans and the way that they are depicted in cinema directly impacts the way mainstream society perceives them to be, while showing that AfricanRead MoreFilm Analysis of Boyz in the Hood Essay example2165 Words   |  9 Pageswhat they will end up being. In the movie â€Å"Boyz in the Hood† director John Singleton, paints a clear image of the problems that happen very often in the African American communities. The movie deals with issues such as: the importance of a father in a young man’s life, the ongoing violence of black on black crime, and how black people are put in situations where they are put to fail and not succeed in life. John Singleton’s view of social problems in South Central Los AngelesRead MoreInsight to Coach Carter Film7710 Words   |  31 Pagesstretches beyond gangs, drugs, prison, and yes†¦even basketball. Paramount Pictures presents an MTV Films Tollin/Robbins production of a Thomas Carter Film, â€Å"Coach Carter,† starring Samuel L. Jackson. Directed by Thomas Carter, written by Mark Schwahn and John Gatins, the film is inspired by the life of Ken Carter. Produced by Brian Robbins, Mike Tollin and David Gale, and executive-produced by Van Toffler, Thomas Carter, Sharla Sumpter and Caitlin Scanlon, the film also stars Robert Ri’chard, Rob Brown